Hollow Knight (2017)

May 25, 2017May 26, 2017 / stephensopinions / 2 Comments

This year has been great for video game lovers. There have been many large releases that saw massive success and critical acclaim. Only 5 months in and we already have: Resident Evil 7, Yakuza 0, Horizon Zero Dawn, Nioh, Legend of Zelda: Breath of the Wild, NieR: Automata, Prey, and Persona 5. Alongside all these huge titles it may seem strange, but the biggest surprise of this year was the indie game Hollow Knight. This is the first game by the Australian independent studio Team Cherry, but it feels like these guys have been making games for years. Hollow Knight is a metroidvania style game that takes place in the ruined bug kingdom of Hallownest.

The setting and atmosphere of Hollow Knight is the dark and dingy underground kingdom of Hallownest. The game is very cryptic and it is pretty much left up to the player to interpret the plot through subtle clues scattered through the environment. There are plenty of different environments for the player to discover and explore, each with a completely unique setting. These gloomy areas are accompanied by a matching moody soundtrack. While the game definitely has a drab vibe to it, there are plenty of charming moments. For example, there are these cute little Grubs scattered throughout the world that have been trapped in jars. As you find them and set them free you can visit them back in their home and the Grubfather will give you a present for each one that you have rescued. Accompany moments like that with the beautifully hand-drawn art style of Hollow Knight and you have a game that is simultaneously dreary and endearing.

Do not let the cutesy bits of Hollow Knight fool you, this game can be brutally difficult at times. It starts off slow, as most metroidvanias do, but quickly ramps up as you acquire new abilities. There are many difficult boss fights and platforming sections that took me numerous tries to master. Despite this, I never felt like the game was unfair, it achieved a perfect balance of difficulty. It was challenging enough to be entertaining and engaging, but it was never frustrating. While another recent metroidvania in Ori and the Blind Forrest focused mostly on platforming, Hollow Knight is much more combat focused with platforming sections scattered throughout. There are dozens of unique boss fights to perfect and complete. When you are fighting bosses, you are exploring the masterfully crafted world of Hollow Knight.

As a metroidvania, Hollow Knight has a big, interconnected, sprawling world. As you acquire new abilities and items you can access new places that were previously unavailable to you. This world was particularly well thought out. It is incredibly easy to get from area to area, as they are connected in such a way that makes them simple to navigate. There is so much to be found in the world of Hollow Knight. Grubs, health upgrades, magic upgrades, new abilities, upgrades to abilities, and new items are all around the player. There is so much to discover and be found that I was constantly enthralled with the exploration aspect of this game. One pretty unique thing about Hollow Knight is that it really never tells you where to go. It is up to the player to explore and stumble upon the correct path. Many of the paths that you will take will lead to boss fights, new abilities, and secrets, but a lot of these things are completely optional to complete the game. I really loved the fact that the game does not tell you where to go. There is less pressure to move forward, and it opens up a much bigger window for exploration. This game lets you play and discover at your own pace. Instead of saying “Well let me go here and move forward in the game”, I was saying “Let me explore and I will see what I stumble unto”. The latter is much more compelling, especially in an exploration based genre like metroidvanias.

One of the most common complaints that I have heard about Hollow Knight was its map system. When you discover a new area, you have to first find the cartographer to sell you the base map. From there you have to explore on your own to record the full map. Some people do not like this because they claim it makes navigating new areas a chore and a hassle. I do not agree with the sentiment in the slightest. I quite enjoyed that feeling of mapping out areas for myself. When you can see the whole map from the start, a lot of the excitement of finding different paths is lost. The only criticisms for Hollow Knight that I have is that I would have liked to see the base town of Dirtmouth to be built up throughout the course of the game. Maybe some new vendors to sell the player some items that would help locate secrets at the end of the game. In games like this, I can reach about 90% full completion pretty easily, but finding those last few secrets and items can be like searching for a needle in a haystack. So, towards the end of the game I would have liked to see some way to find those secrets that I missed. Other than that, the only real issue with Hollow Knight is that is really nothing “new”. It does not introduce any spectacularly new mechanics or revolutionize the genre. That being said, it does a fantastic job of taking all the greatest aspects from other games and combining them into the best metroidvania that I have ever played. While I value innovation pretty highly, I also greatly value the ability for a developer to perfect a genre and Hollow Knight does exactly that.

I rarely talk about prices of video games, but I think something has to be said in the case of Hollow Knight. This game is only $15 for a ton of entertainment, just to complete the game it will take about 20 hours. To get the true ending or 100% the game it takes more in the realm of 30-40 hours. Compare this to other fantastic indie games like Owlboy, Ori and the Blind Forrest, and Shovel Knight. Those games are about $20-$25 and will last the player maybe 10-15 hours. Not only is Hollow Knight a phenomenal game, but it gives you a pretty big bang for your buck.

All in all, Hollow Knight is one of the best games that came out this year, and that says a lot. I cannot sing enough praises for this game. If you like metroidvanias, 2D platformers, or 2D action games, definitely check this one out. It is expertly crafted and is quite possibly the best metroidvania ever made. For these reasons, I give Hollow Knight a 10/10. It may not introduce anything entirely new, but it does a damn good job of perfecting the formula.

NieR: Automata (2017)

May 13, 2017May 13, 2017 / stephensopinions / Leave a comment

NieR: Automata is a lesson in not judging a book by its cover. You may think that it is just a niche Japanese game at first glance, but I encourage you to give it a chance. Yoko Taro, the mastermind behind the cult classic Drakengard series, teams up with Platinum Games, who developed critically acclaimed action games Bayonetta and Metal Gear Rising: Revengeance, to make a truly memorable experience. It is a truly unique, fun, and mind-bending experience provided by NieR: Automata which makes it an unforgettable game. This review will be spoiler free, but I will talk about the unique way that this game is structured.

NieR: Automata is the story of a war, not between humans, but between androids and machines. Androids were created by humans, while the machines were created by alien invaders to wipe out mankind. Androids were made to imitate humans, in both physical appearance and in how they act. The machines look more like robots and seemingly are not capable of individual thoughts or emotions. You play as the android 2B who is assigned to fighting the machine forces alongside her partner 9S. 2B and 9S quickly realize that the machines have begun to imitate human behaviors and seemingly developed a consciousness. Throughout the game 2B, 9S, and the machines struggle with existentialist concepts.

The world of NieR: Automata is filled with philosophical questions and concepts. The androids and machines frequently question their own purpose and why they exist in the first place. Both in the main story and in side quests the machines and androids have troubles coming to terms with their existence. Interestingly enough, many of the side quests drop hints and introduce you to the concepts before the main storyline runs with these ideas. When the machines develop their own thoughts and freewill, many lose their purpose. The machines find human records and start imitating the info that they have found. Some develop a hobby and take it to an extreme, some form cults and kingdoms, others form villages and settlements. The biggest question asked is are these machines and androids really alive, and is their consciousness real, or just a program? Other questions are posed, for example if we lose our memories, are we still the same person? These are just a few of the questions posed, many more are touched on but you really should experience them for yourself.

The gameplay of NieR: Automata is fast paced action. It takes a little while to get a hang of the controls, but it is extremely satisfying and fluid once you get used to it. 2B can select two weapons to fight with and string combos together with. You also have access to pods, which are floating robots that you can use to fire a steady stream of bullets at the enemy. Pods also have special abilities like lasers, bombs, the ability to slow time, etc. that the player can use to their advantage. On top of that, you can customize your plug-in chips to give you stats like more damage, healing, speed, among other things. You can even take out elements of your heads up display (HUD) to make room for more combat oriented plug-in chips. All of these elements made for a completely customizable experience with infinite options. You can play with all sorts of different combo options to really step up your game. Unfortunately, for the most part you did not need to learn many combos, I only needed a few basic combos to beat the game. That being said, there is a lot of room for just playing around and testing out all sorts of different moves. Most of the basic enemies in the game were just fodder and easy to defeat, but the boss fights were truly epic and intense, especially as you learn the backstory for the bosses that you are fighting.

The environment of NieR: Automata is that of a post-apocalyptic planet earth. Most areas reflect this and are bleak, like the city ruins, the desert, and the factory. On the other hand, some sections of the world are beautiful and thriving. The forest and the amusement park are quite elegant. Another interesting aspect of NieR: Automata is the lore. It is technically the next installment of the Drakengard series and it is the sequel to the original NieR. Trust me, you do not need to play those games before playing NieR: Automata. This game is set so far in the future that all that remains of those games are occasional references. That being said, there is a ton of extra lore in the Drakengard and NieR universe. Both in the game and out, there is lots of extra tidbits that you can find. In game, you can find intel which references the past, and out of game there are concerts, books, and stage plays that expand upon this world. This game strikes a nice balance; it is both accessible for newer players, and it allows for more dedicated players to get more info. Something that needs to be mentioned when talking about NieR: Automata is the original soundtrack. It is without a doubt one of the best soundtracks ever created for a video game. It is mostly classical music, but it has a mechanical theme that is evident. The melancholy tone of most of the songs fits the game perfectly. The songs are incredibly memorable and instantly recognizable once you have played the game. What is really cool about the soundtrack is multiple versions of every song were recorded and used so that they blend together seamlessly according to the environment and situation. If you want a taste of the soundtrack, take a listen to this: “A Beautiful Song.” I rarely listen to video game songs outside of the games, but I now often find myself listening to many of the songs from NieR: Automata.

The structure of NieR: Automata is incredibly unique. Many modern games have an option to start a New Game+ mode after beating the game. This usually entails a few harder enemies and some new content, but it is mostly the same game. NieR: Automata takes the concept to the next level. There are five main routes in this game, labeled A-E. When you first finish route A, the game prompts you to continue playing as there is more content in the game. This is not a traditional New Game+, route A is only a small portion of what NieR: Automata has to offer, and it would be a shame if anybody stopped playing after beating it. Each route is more like an act of a play or book rather than a full game. You play as different characters to gain different perspectives and different combat options. Routes A and B feel like just a prologue to the story told in routes C, D, and E. Routes C, D, and E are all the same route, just different endings. Once you beat C, you get to play the final sequence again and that is route D, and once you beat D you get to play the final ending, which is route E.

Route A introduces you to the world of NieR: Automata and lets you get comfortable in it. It asks you basic philosophical questions and sets up what is to come next. The biggest development in route A is the characters. Aside from the main characters of 2B and 9S, there is a large cast of side characters, android and machine alike. Many of the machines are quite charming and funny as you get to interact with them. Watching the machines imitate humans by forming families, raising children, and making their own society was very cute. The story of route A is decent, but is obvious that you are missing some pieces to the puzzle. Route B tells the same story as route A, but from the perspective of a different character. This different perspective shows you the story in a separate light, and more facts slowly trickle in as you piece the story together. Routes A and B were certainly great, but the real story is told in routes C, D, and E. These routes are a continuation of the story from A and B, and the game fills in all the holes and answers the questions from the previous routes. The game constantly challenged my pre-conceived notions and changed what I thought. There is so much going on at such a fast pace, just as you are trying to process one big reveal of information, the game hits you with another. Routes C, D, and E have some of the most emotional and impactful moments that I have ever received from a video game. I would wager that these three routes are some of best experiences in any video game, ever. It is truly a thought-provoking adventure, and it is something that you really should play for yourself.

While I love NieR: Automata, it does have some issues. The combat is fluid, but after a while it can get a little repetitive. While many of the side quests are interesting from a story perspective, they often boil down “go over there and fetch me this item.” They can be tedious chores, but they are mostly worth it to learn more about the characters. The hacking mini-game is pretty fun once in a while, but I feel like it is overused and can get boring and repetitive. The PC port of the game is poorly optimized and needs work, I recommend getting this game on PS4 instead of PC. My biggest issue with NieR: Automata is routes A and B. Route A would be alright as a standalone game, but it would not be anything special. Route B can get pretty repetitive as it is essentially the same as route A, the new information delivered in this route is too few and far between to make it distinct and different enough from route A in my opinion. While I know that they are just the prologue for routes C, D, and E, I feel like many players missed the memo. I think labeling them “acts” instead of “routes” may provide a big enough distinction to show players that the game has just begun. Along with that, I feel like if routes A and B were somehow combined they would be much more enjoyable and comprehensive experience. They are fine on their own, but are pretty slow paced when compared to route C, D, and E. If you combined them I feel like route A would be a more complete experience with the extra info from route B added, and you would not have to play same story twice just to get a little more info. Looking back on it, I am fine with the way that the game is structured and I understand the purpose of routes A and B, but as I was playing the game I had a different perspective. I enjoyed the game, but I did not understand what made it so special until I made it to routes C, D, and E.

I have to say, NieR: Automata has become one of my all-time favorite games. I think it will become a classic title, especially in nerd and gamer culture. The fluid combat, the memorable characters, the desolate environments, the music, the philosophical nature, the melancholy tone, and the unforgettable story truly make this a game worth playing. If any of this sounds appealing to you, definitely pick up this game. I think that is unfortunate that many players stopped part way through routes A and B, as they did not get to really see what made this game so stellar. If routes A and B were combined, I would have no problem calling this game a masterpiece. For these reasons, I give NieR: Automata a 9.5/10. Routes A and B are not quite strong enough, and many players did not see the game all the way through to the end because of it. NieR: Automata is a truly phenomenal game, and it will be remembered as a truly special game.

ABZÛ (2016)

April 15, 2017April 21, 2017 / stephensopinions / Leave a comment

Abzu is the type of game that you will want to sit down with after a long day, turn the lights off, and just relax while playing it. Abzu is an underwater experience made by the developer Giant Squid, who’s founder was the art director for the critically acclaimed games Journey and Flower. While deep sea environments can be dark, disturbing, and unsettling, Abzu manages to achieve the exact opposite. It is a zen-like experience to explore the world Abzu.

The majority of the gameplay in Abzu is just swimming and exploring the ocean. There are a few puzzles, but they are remarkably simple. Abzu is all about exploring the beautiful unknown, and restoring life and vigor to dying sections of the ocean. Many games with underwater sections often struggle with the controls, but the controls in Abzu are very smooth and easy to get a hang of. There is a vague story told through the environment, but that takes a back seat to the meditative nature of Abzu. Just sit back and chill while hanging out with sea turtles, whales, sharks, and various species of fish. This game is absolutely visually stunning and it creates remarkable atmospheres to be appreciated. The orchestral music in the game enhances the feeling of wonder and discovery as you swim through the underwater landscapes. Abzu is more of an artistic experience than a traditional video game.

While Abzu is gorgeous and easy to relax while playing the gameplay is lacking at times. There are eight chapters in Abzu, I was okay with the fact that the first two chapters served as just pure relaxation and discovery, but chapters three and four were just more of the same. The game is only about an hour and a half to two hours, and the first 45 minutes were all very similar and repetitive. Luckily the game picks up a bit in the last half and ends strong. The middle section of the game was just slow, after 45 minutes of swimming around and appreciating the environment, I was ready to move on to something more interesting. That portion of the game just overstayed its welcome a tad too long in my opinion.

Abzu is not meant to be a traditional video game, it is more a visual presentation of the beauty of the ocean. If you are looking for action, deep gameplay, or story, you will not find much of it in Abzu. If you just want to sit back and relax for an hour or two, Abzu is the game for you. For what it was, Abzu was a pleasant and memorable experience. I am going to give Abzu a 7/10. It is not groundbreaking or revolutionary, but it was definitely a worthwhile experience.

The Legend of Zelda: Breath of the Wild (2017)

April 1, 2017April 15, 2017 / stephensopinions / Leave a comment

The long awaited and highly anticipated new Legend of Zelda game was released a month ago, and I have spent a lot of time playing it. Breath of the Wild is being heralded as a masterpiece, and I completely agree with that sentiment. This game is extremely unique, especially when compared to its predecessors. Breath of the Wild has a massive and completely open world to explore, and that is what makes it so special. There is a level of freedom that is unheard of in any other video games, you can do anything at anytime, that is in part why I love this game.

Most open world games allow for varying degrees of exploration and discovery, but ultimately restrict the player in one way or another. The main story, powerful monsters that block the way, or some areas require certain items to access, these are all methods that other open world games use to reign in the player to have them follow an expected path. Breath of the Wild throws all of that out of the window, you can go wherever you want and do whatever you want. Even the main story allows the player to tackle it in numerous different ways, you can even ignore it altogether and head straight for the final boss. There are so many creative solutions to any encounter in Breath of the Wild. Puzzles can be solved in dozens of ways, and there are numerous paths to get to any destination. Even fighting monsters allows for some innovative tactics through the use of the magical Runes that you acquire early on in the game. Breath of the Wild also allows for some creative use of the environment to gain an edge in fights. The fact that you constantly need to switch out weapons as they degrade and break forces the player to think on their feet and choose their weapons according to the appropriate situation. I am constantly surprised by new tricks, even dozens of hours into the game. Overall there is a lot of room for individuality and creativity in Breath of the Wild, it is a blast to just experiment with all the different ways to approach a single task.

The world of Breath of the Wild is massive, and its filled with things to find. There are plenty of sidequests, monster encampments, towns and stables to be found. Most importantly are the shrines and Korok seeds, which both act as a form of progression. Every four completed shrines allow the player to choose between an extra heart or some more stamina, and every couple of Korok seeds the player can increase their inventory space. With 120 shrines and 900 Korok seeds, there are plenty of these short and sweet puzzles to be solved. These exploration related objectives are a method for the player to keep up with the scaling difficulty as the game progresses. This is the most difficult 3D Legend of Zelda game that I have played by a long shot. Many enemies have the capability to kill the player in a single hit early on in the game. These enemies require to you be prepared, have precise timing, as well as creative thinking if you want a chance at defeating them. Certain enemies are extremely punishing if you misstep, which I think is a welcome change to the previously easy Legend of Zelda series. There is so much to do in the land of Hyrule, if you are worried about the world being “big but empty”, fret no more because there is no lack of things to do in this game.

There were many risks taken in the development of Breath of the Wild. The game does away with many traditional Legend of Zelda elements. Instead of using the Master Sword the whole game, now you use a plethora of weapons. Link can now wear a variety of different sets of clothing, all with different effects, rather than the green get-up we all know him for. There is voice acting for dialogue, which there has never been in a Legend of Zelda game. Traditional dungeons are swapped out for shrines and divine beasts. Link can now jump if you hit a button. Instead of memorable themes and melodies, the game goes for a much more atmospheric and understated soundtrack. All of these changes were huge risks as The Legend of Zelda series has been following a specific formula for a long time, and Breath of the Wild breaks the conventions. It has been six years between the release of Skyward Sword and Breath of the Wild. This game was delayed multiple times to polish it, and I love Nintendo for making the decision to delay the release and perfect this game. Shigeru Miyamoto himself said a famous quote that I find applicable “A delayed game is eventually good, but a rushed game is forever bad.” Many risks were made during the development of this game and Breath of the Wild is all the better for it.

The beauty and awe-inspiring nature of Breath of the Wild is unparalleled. From rolling hills of lush grass, to dense and foggy forests, to the shifting sands of the desert, to snowy mountain tops, to rushing rivers, there is just so much atmosphere that I just had to sit back and take in. The games magnificent environments are only complimented by its beautiful art style. I could spend hours just walking around Hyrule doing nothing but admiring all the scenery. Everything is well animated and pleasant to look at. The survival aspect of this game is also quite charming. You can no longer just chop grass to get hearts and arrows. Now you need to collect resources to cook meals that replenish your hearts as well as giving special benefits. For arrows you need to visit the small towns in stables to replenish your stock which encourages the player to interact with all the non-playable characters (NPCs) in the game. The NPCs are charming and have some depth to them, even if their quests are simple. Instead of a woman saying “get me 3 dragonflies”, they tell you that their little sister loves dragonflies but the woman is too scared to get them herself. Just a minor narrative change like that makes all the difference. Throughout the game there are many seemingly minor things that enhance the experience drastically.

I believe that no game is perfect, and Breath of the Wild is not an exception to that rule. It is extremely important to note the size of these issues, as most of them are nitpicks that I only discovered after dozens of hours of play. The first and most noticeable problem are the FPS drops. In graphically intense areas like villages or battles with many enemies, the FPS can and will drop. It happens often enough that it hurts the experience a little, but the vast majority of the time the game runs smoothly. The first time in rained in Hyrule I thought it was atmospheric and beautiful. Then it kept raining, and raining, and raining. It feels like a third of the time in the game is spent in the rain. It is nice once in a while, but eventually it just gets dreary. The rain also stops you from climbing anything or using any fire related items, so that can slow the players progress by a significant amount. A little rain is fine, but I wish the developers had toned down the amount of rain in this game. There are a few small quality of life things that I would like to see, like faster cooking and faster animations of getting in and out of shrines. Issues like that are fairly minor but after many hours of playing the game I think I stopped caring about the shrine completion animation and I just wanted to skip it. Overall, I feel like while all of these are issues, they are fairly small and only noticeable after hours upon hours of play. In fact, all of these issues are fixable and I hope to see them resolved in future patches of the game.

Breath of the Wild manages to capture a feeling of childlike wonder and amazement. I feel like this game will be talked about ten years from now and it will be a benchmark for phenomenal open world games. I loved every minute that I played of this game. It breaks conventions and takes The Legend of Zelda in a whole different direction, and I appreciate the risks that the developers took in making this game. The amount of delays, setbacks, and risks all paid off in a spectacular fashion in the experience that is Breath of the Wild. The amount of creativity, thoughtfulness, depth, and soul in this game is astounding. It has a few flaws that I would like to see fixed, but they are specks of dust on the masterpiece that is Breath of the Wild. I firmly believe that this will be remembered as one of the greatest games of all time. For these reasons I give The Legend of Zelda: Breath of the Wild, a 10/10. I cannot recommend this game highly enough, and it is a must play for anybody and everybody.

Inside (2016)

February 18, 2017February 18, 2017 / stephensopinions / Leave a comment

Six years have passed since Playdead released their first game, Limbo, which I talked about here. Playdead’s new game, Inside, follows the same formula as Limbo. They are both very moody, dark, and disturbing puzzle-platformers. I was a little hesitant going into Inside even though it received fantastic reviews because in my opinion Limbo fell a little flat. After playing Inside, I can safely say it greatly improved upon the preexisting formula from Limbo. Overall, the strengths and weaknesses of Inside seem to mirror Limbo with some improvements. However, most importantly Inside has introduced a stunning narrative element. I am going to keep this review spoiler-free, as Inside has a lot of mystery and intrigue that I do not want to ruin for anybody.

The most memorable and impressive element in Inside was its ability to tell a gripping story without any dialogue. You are dropped into a surreal and dystopian world with no idea what is happening or what your goal is. You quickly progress from area to area, watching what is happening in the background, until you start to piece together the plot. I loved the fact that you have to draw clues and hints from the environment instead of a story just being read to you through dialogue. Even if you pay close attention to everything that is occurring around you, a lot is open to interpretation. The game is purposefully ambiguous and leaves plenty to your imagination to piece together and figure out. The dimly-lit world and art style of Inside serves to compliment its central themes. The underlying motif of the game is all about control and conformity but how it is interpreted is all up to the player, and that is the beauty of Inside.

While Inside did a great job with its environment and story, it suffered similar issues to its predecessor, Limbo. Both of these games suffer in the gameplay department. Inside still has a few of those trial-and-error puzzles that plagued Limbo, but thankfully they have been significantly reduced. The bigger issue for Inside was its lack of difficulty. There were many different puzzle elements and concepts which kept the game interesting through the means of variety, thankfully. The game would introduce these creative new elements and spend awhile doing simple puzzles to let the player get a hang of the new element. Then they would drop the element and move onto something else entirely. Nothing seemed to move past the basics, and the game infrequently combines elements to make for more complex puzzles. I never felt like the game was getting progressively more difficult and complex, as a puzzle game should. The gameplay was not bad, it just got a little dull and slow after awhile.

Ultimately, Inside was a great little game. It only takes three to four hours to complete, but it is an extremely memorable experience. The depressing and cryptic world of Inside is unforgettable. It is beautifully crafted and animated, and its commentary on control and conformity is phenomenal. I would definitely check out this game if you are into moody, mysterious, and ambiguous stories. If you are into more fast-paced action or gameplay oriented games, Inside is probably not for you. For these reasons, I am going to give Inside an 8/10. It was a strange little game, and I really enjoyed it.

Dishonored 2 (2016)

January 18, 2017May 13, 2017 / stephensopinions / Leave a comment

For me, Dishonored 2 was highly anticipated title as I loved the original Dishonored that came out back in 2012. I personally feel that Dishonored 2 does a fantastic job at continuing what made that original so great. Dishonored was all about having different ways of tackling every mission and scenario, and Dishonored 2 runs with that idea. It expands the player’s tool set and options to the point where every single person that plays this game is going to have a different experience. There were a few issues with the game, but a lot of the problems are pretty minor when compared to what makes the game so fun.

In Dishonored 2, you have the option to choose between two different characters to play as. Each character as a unique set of supernatural abilities that you can play with and upgrade by collecting Runes. The player also has access to a very wide variety of tools and weapons at their disposal such as sleep darts, stun mines, a pistol, explosives, and so on. These tools are also upgrade-able through black market shops hidden across the world. On top of all of that, you have the option of being stealthy or chaotic in your methods. You can go into any scenario guns blazing as long as you are prepared for a fight, but you can also sneak past any unsuspecting foes and complete the mission in a more stealthy manner. Also, you have the option of using non-lethal methods to dispose of enemies, or you can kill enemies if you so choose. The combination of all these different aspects makes the game feel like a sandbox. Every scenario you walk into, there are dozens of different ways to tackle it. I personally played using non-lethal tactics and all the while never once being even detected by an enemy. I viewed every room as almost like a puzzle of how to use my limited resources to never be seen and to never kill anybody. Of course, this variety in options is only possible if the level design matches in the amount of paths you can take. There would be no use for all these fun new toys without a playground to use them in, luckily Dishonored 2 delivers just that.

Every level in Dishonored 2 is giant. There are numerous routes and paths that is available to the player to get to any desired point. In every room there are cleverly placed objects to hide behind. There are numerous walkways and surfaces to get on top of or even under to perhaps tackle a challenge from a different angle. Catwalks and back-alleys are scattered through every mission if the player wants to take a more stealthy and less direct approach. Due to these level design choices and the amount of tools and options at the players disposal, Dishonored 2 has a ton of variety and replay-ability. On top of just cleverly designed levels, every mission was extremely unique in both concept and execution. From run down research institutes, to lively palaces, to witches hideouts, Dishonored 2 has it all. My two personal favorite levels were both brilliant in design and execution. The Clockwork Mansion is a mansion filled with gears and mechanisms that at the flip of the switch can turn any room into something completely different. Hitting the switches throughout the mansion was very fun as I watched the level transform. It is also possible to get inside the inner workings of the house and sneak through it in that manner. My favorite level however was Stilton’s Manor, as it very cleverly implemented time travel to change the level from an overgrown mess to a well-guarded and pristine estate. Switching back and forth between these two versions of the manor was necessary to progress through the level. These ever changing and evolving level designs were among my personal favorites, but all the other missions were extremely fun as well.

Despite everything that Dishonored 2 does right, it does have its set of flaws. Most importantly, for many PC users the game does not run properly. Hopefully the developers can get this issue sorted out as soon as possible, but two months after the release I am still hearing of issues concerning the poor performance on PC. Luckily I did not have any performance related problems, but there were also a few other issues that I had with the game. The overall story was just mediocre. It plays out similarly to the original Dishonored: the queen is overthrown and you must retake the throne by eliminating the usurper’s associates in one way or another. The usurper and her associates are the main enemies and villains of the story but you rarely ever see them or hear of them outside of their particular missions. I never really cared about any of the characters as you so rarely interact with any of them. Overall the whole story just felt loosely stringed together and it seemed like it was just the vehicle to connect all the unique and interesting level designs together. The cool thing about the story is that there is a large set of different endings depending on who you leave alive and who you kill and how much overall chaos you have caused. My only other complaint with the game is at times there was a bit of backtracking. There were many levels that required you to walk all the way back to the starting point just to complete the level. It just feels like every level should have an exit point near the end, instead of having to walk all the way back to the start after completing the main objective.

All in all, Dishonored 2 was pretty great game. Just the sheer amount of options and tools available to the player is a breath of fresh air when so many games play so linearly. The amount of creativity and thought that went into every mission is remarkable. Many of the levels were extremely memorable and jaw-dropping. Unfortunately the PC performance issue exist so just be weary if you are thinking of purchasing this game on PC right now. Other than that there were only some minor issues with the game overall. Due to all of these aspects I give Dishonored 2 a 8.5/10. Just think of Dishonored 2 as a giant playground, and you can do whatever you want, that is what makes it so fun.

Doom (2016)

January 13, 2017September 4, 2018 / stephensopinions / Leave a comment

In an age where video games have a heavy focus on the narrative aspect, Doom hearkens back to the days where it was all about the action. It was a refreshing experience to load up the game and immediately jump into the action. I thought killing hell-spawn would grow old after a couple of hours, but the constant additions of new enemies, weapons, and upgrades kept the game feeling fresh throughout. These factors combined with the overall polish made Doom extremely entertaining. While I really enjoyed Doom, I do not think it is for everybody.

Doom was extremely well made, but there was nothing really groundbreaking or super innovative about. To me it was just a modernized version of the classic Doom from 1993. That is fine if you are satisfied with just moving from room to room killing hordes of enemies, but many players want a little more from games these days. I could see how people may feel that it is repetitive or a worn out concept. Doom is all about one thing, but it does that one thing very well.

There is a level of polish on Doom that indicates that it was heavily tested before it was released. I played on the hard (ultra-violence) difficulty and nothing about the game seemed unfair or unjust. The arenas were intelligently designed to flow and never feel stagnant. Items and power-ups were placed strategically throughout the rooms, and all the different enemies were manageable once I got the hang of it. With the amount of different enemies in the game I expected at least one of them to be frustrating, but they all had clearly defined strengths and weaknesses. What really makes Doom great is the speed at which it is played. The game forces you to move around the arenas that you fight in, which is definitely refreshing after playing military shooters in which you just sit behind one piece of cover for an entire battle. In Doom, if you stand still for more than a couple of seconds you will be overrun. As long as you keep on the move you will be able to dodge most of the damage coming from the demons, and you can constantly refresh your ammo, armor, and health with items scattered across the maps. Also the glory kill system was great at incentivizing fast paced gameplay: executing low-health enemies at melee range would have them drop health and ammo. I needed to constantly utilize this mechanic to keep my health and ammo topped off. You need to keep on the move to have a hope of surviving. The constant action kept the game very intense and energetic. This was complimented by the soundtrack and how it matched the mood and intensity of the game.

While in between action packed arenas Doom did have some other things to offer that did not involve slaying hell-spawn. There were plenty of hidden nooks and hallways to find secrets. Finding these secrets was actually rewarding, as they allowed me to upgrade my weapons and suit to be better prepared for future encounters. There were even some mini-games that would allow me to equip special power-ups. The weapon upgrade system was pretty great as well. Every weapon had two unique upgrade paths, for example the shotgun could be upgraded to have a grenade launcher or have a tighter spread of bullets. You could further power up these upgrades and you could switch between them at any time to fit a particular situation. To earn tokens to upgrade these weapon systems there were certain tasks to complete in every level, like glory killing five enemies or killing two enemies with one bullet. You also earn upgrade points just by killing enemies, so there was always a sense of progression as I quickly powered up my character and his arsenal of weapons.

All in all, I really enjoyed Doom for what it was. I loved the constant action and just bad-ass feeling of the game. I also enjoyed taking a breather in between arenas to explore and find secrets and upgrades. Doom is really good at what it does, which is being high energy arena shooter focused on taking on hordes of hell-spawn. Do not expect anything groundbreaking or anything that is not blasting through swarms of demons. For these reasons I give Doom a 8.5/10. It is a really great action game, but that is all that it is.

Pokémon Sun and Moon (2016)

December 15, 2016December 15, 2016 / stephensopinions / Leave a comment

Pokémon Sun and Moon are the most recent addition to the famous franchise. Sun and Moon take the player to the tropical islands of Alola which was a refreshing experience. As a whole, these games make some big changes to the series that I believe were desperately needed. The past couple of years the series has been getting stale; Pokémon has recently celebrated its 20-year anniversary and in twenty years the games have remained the same. Of course there has been some nice changes over the years, but the basic formula has been the same. Sun and Moon do a great job of breaking the stagnation and in my opinion they are the best Pokémon games in awhile.

The innovation is apparent from the start of the game as the region of Alola is a chain of tropical islands, which is radically different than any of the other six regions. Instead of Pokémon gyms and collecting badges, the player must complete various trials. These trials can be anything from searching for hidden items, playing spot the difference, or listening for a specific sound. The only similarity in these trials are the Totem Pokémon which are exceptionally powerful Pokémon that the player must battle. There is also a Kahuna on every island, a trainer chosen by the guardian deities of the islands, that the player interacts with and eventually has to battle. Another big innovation was the addition of regional variants of different Pokémon. These are variations of classic Pokémon with changed types, abilities, and appearance. I believe this was a very clever idea as it allowed Game Freak to make some tweaks to some older Pokémon to make them stronger and more appealing to use. It also added some great variety and it was interesting to see how different Pokémon adapted to Alola. Outside of regional variants, most of the new Pokémon introduced were also well designed and had some new abilities to play around with. The change of format in the games was a huge step forward and it allowed for a lot more creativity and variety.

When it comes to variety, I believe that the Pokémon series is held back by its desire to keep using the same couple of Pokémon in every scenario and game. This is by far my biggest gripe with the series and this game as a whole. It is incredibly frustrating that there are over 800 Pokémon in total and yet every game is plagued by the same couple of species. Every ocean is overflowing with Magikarp, and every cave is filled with mostly Zubat. This has being going on for years and I would really appreciate seeing some other Pokémon. I am fine with the occasional appearance of Pokémon from Generation I, but as a long time player of the series it gets extremely tiring and boring to see the same couple of Pokémon all the time. I would just like to see more Pokémon from Generations II-VII. There are also a couple of minor issues that I had with this game. The first being that frame rate does tend to drop when in chaotic battles. There is also the issue of strange move-set and evolution complications that were probably unintended by the developers. For example Kadabra does not learn a damaging move until level 28. Or the fact that many species of Pokémon do not have the ability to evolve until right before the end of the game. There were also a couple of big level spikes at the end of the game, going straight from a level 45 Totem Pokémon to a trainer with five level 50 Pokémon is kind of strange. The tutorial was also a bit lengthy and could have been slimmed down a bit. Lastly, leveling up Pokémon in the post-game is a painful process. Overall I feel most of these issues were pretty small but they do add up and hurt the quality of the game a little bit.

I cannot talk about Sun and Moon without mentioning the story quality. The past couple of generations Pokémon has had a larger focus on the story than it has in the past. I was not a huge fan of this approach in Generations V and VI as I just did not care much about the stories being presented. In Sun and Moon I believe this narrative-heavy approach was executed much better than it was in the past. This is mostly due to the constant interaction with the games characters and their lively dialogue. Characters such as Kukui, Hau, and Lillie are actually memorable and likable. Even the supporting and side characters were great; the hilarity of Team Skull and their ridiculous antics were certainly a welcome addition to the game. While I did enjoy more interaction with the characters, it did have a drawback. I felt a little overwhelmed and occasionally frustrated with how often my adventure was put to a halt to read some dialogue. There just was not enough time in between these story interactions and it made the game just feel slow.

There were a number of small changes in Sun and Moon that improved the experience. The new Pokédex made it easy to use the map and see where to catch different Pokémon. The battle interface was also greatly improved as it allowed the player to see more detail for each move. Poké Pelago was nice addition that made it easier to grow berries, collect items, and hatch eggs. It also lets the player interact with Pokémon that they have caught but are not currently using. The game also had a fairly good difficulty level; I turned the Exp. Share off and the game provided a couple of decently challenging battles. The PC storage system was also streamlined and made a lot simpler to navigate. One of my favorite changes was the disposal of Hidden Machines and their obnoxious existence. Overall these small changes really improved the game and I hope they keep these features in future generations.

Pokémon Sun and Moon brought some desperately needed innovation to the otherwise stagnant series and it was really a refreshing experience. There were some issues like lack of generational variety, the overall slow pace, as well as a couple of minor issues, but it is much more important to me that the series finally took a step out of its comfort zone and attempted to create a new experience. I am going to give Pokémon Sun and Moon a 8.5/10 as it breathed new life into the series. The region of Alola was unique and enjoyable and it felt like a breath of fresh air after years of stale and repetitive games. Sun and Moon for me are the best Pokémon games in years.

Wolfenstein: The New Order (2014)

September 21, 2016July 3, 2018 / stephensopinions / Leave a comment

Wolfenstein: The New Order is a continuation of the classic shooter franchise. I have not personally played any of the other Wolfenstein games but I was able to easily jump in as the game was somewhat of a reboot for the franchise and built a new story. The game was solid and had plenty of qualities that I really enjoyed but there were also a lot of flaws in this game. I have played a lot of first person shooters (FPS) and this game attempts to differentiate itself but falls just a little short of creating an entirely new experience. The basic premise of the Wolfenstein games is that the main character, William Blazkowicz, is an American soldier fighting the Nazis. This installment of the franchise takes an interesting twist where the Allied powers lose the war and Nazis now control the world. The story was, in my opinion, the strongest portion of this game.

I was very surprised at the strength of the story in this game. The first thing that surprised me was how quickly and without hesitation the characters are killed off. It always seemed ridiculous to me that in other FPS games how infrequently characters actually died, but this game is not afraid to do so. The story starts off very depressing and makes the player make a difficult choice and at the same time builds up the villain, General Deathshead, to be one of the most evil and sadistic character in any game. I usually do not feel such hatred for a character, but the game really did a fantastic job at actually making me want to kill the villain. Despite starting strong, I feel like the game is unevenly paced in which most of the story is packed in the beginning and the end of the game. The theme of the game was pretty unique, as it was futuristic and had plenty of advanced technologies but it did manage to keep the gritty feel of World War II. I do not want to spoil anything, but the ending of the game was a bit open ended and I feel like it tries to set up a sequel. On one hand this is a good thing as it leaves you wondering, but on the other hand some people could see it as a cop-out. Most of the major characters are fleshed out well, and the game does give you some small character biographies if you want some more information on any character. Also, there are two alternate timelines in the game that make very minor changes in the story and gameplay. I like this feature as it allows people to replay the game but have a slightly difference experience, but everyone who plays the game is going to have a very similar experience regardless of which timeline they choose. Overall I felt like the first couple missions and the last couple missions had phenomenal story telling but I just wish that the middle bits were also as strong.

The gameplay I also felt mirrored the story in which it started strong but faltered around the middle chapters. While the first thirty minutes of the game are slow and serve as a tutorial, once I began the first mission I was sucked in. The game gives the player four different ways of tackling it and has different perk trees to reflect these choices. While perk and ability trees are not a unique concept, what was interesting about this game was that the perks were not earned through experience or just giving you a skill point to distribute into whatever perk you want, but instead they were achievement based. For example if you stealth kill five commanders you get a perk that reveals the location of all the commanders on the map. I really liked this system as it gave me alternate objectives and tasks during missions as I attempted to complete the main goal. There are four different perk trees, Stealth, Tactical, Assault, and Demolition. Stealth was based on sneaking up behind enemies and taking them out silently. Tactical was about smartly engaging the enemy from a distance and from behind cover. Assault was just DOOM style running and gunning. Lastly, Demolition was all about using explosives to clear spaces. This mix of gameplay options led to some epic moments, for example when I snuck up behind a commander and stealth killed him, then took over the mounted mission gun and mowed down the rest of the enemies from behind before they could react. Unfortunately I felt like there were too many missions that limited all the options that there were supposed to be. Some of map designs felt really lazy and linear, making a lot of missions play out like every generic FPS where I entered a room, posted up behind some cover, kill all the enemies, rinse and repeat until the mission is over. Another issue was the lack of ammunition, there was a plethora of different guns and tools at my disposal but the only guns with reliable amounts of ammunition to find were the Assault Rifle and the Laserkraftwerk. Despite the fact that some missions were limited in the options to tackle it, there were also a lot of really well designed levels that had many different pathways that allowed me to use a mix of the perk trees. Chapters 1, 2, 3, 8, and 13 are in my opinion what the rest of the game should have been when it comes to level design. All five of those missions were very entertaining and allowed me to use a mix of all the different tactics.

Apart from the five fantastic chapters, the rest of the levels were either just too linear or just blatant filler. Chapters 5, 7, and 9 were the most obvious examples of this and they should have just been cutscenes instead of full chapters. All three chapters play out in a very similar fashion and really serve no purpose at all, there are no enemies to fight, no stealth, no puzzles, just walking around to pick up some random item. Some of the other chapters also had some filler sections but these three missions did nothing but lengthen the game. This is really unfortunate because Wolfenstein: The New Order only has sixteen chapters so at least 18% of the game is just filler.

While the level design of the game left something to be desired, the difficulty scaling of the game felt just right to me. I played on the second hardest difficulty “I am death incarnate!” and while the game started off pretty easy it did quickly ramp up and provide some challenge. At no point did I feel like the difficulty was unfair or the game was asking an unreasonable task, but at the same time I knew that if I screwed up I would be punished for it. Unfortunately, a lot of the difficulty in the later stages of the game comes from the overwhelming amounts of “bullet sponges”. These are enemies that have a lot of health and required me to shoot at them for a minute of two to kill a single enemy. I feel like bullet sponges can be implemented properly, but they were not in this case. Since enemies have no health bars I could not even tell if I was damaging the enemies, and since I was shooting at some enemies for a couple of minutes I questioned if some enemies were even killable with bullets or if I needed to find another way to defeat them. Fighting these bullet sponges was occasionally entertaining as I needed to dip and dive out of cover to try to out maneuver them, but they are used way too frequently and there needed to be some sort of indicator that they were actually taking damage. Also, a lot of the enemies just felt inconsistent to me. Some enemies could not spot me when I was standing right in front of them, but I remember in one mission where I was hidden in a vent and a guard twenty feet away spotted me while facing the other direction. Despite the amount of bullet sponges and inconsistent enemies, I really enjoyed the two late game boss fights. Both fights had a cat and mouse feel to them and they did not drag out to long like a lot of video game bosses do. All in all, the difficulty was solid and while it was challenging, it never felt unfair.

The last thing about Wolfenstein: The New Order that I want to talk about is the collectible system. I am somebody who loves getting all of the collectibles in a game, and this game had plenty of them, but I did not get even close to getting all of them. The game has the weird system in which it reveals some of the hidden items locations on the map, but not all of them. So if I wanted to find all of the items I would have to comb the entire map and break open every box and look in every cabinet for items that were frankly tough to spot. I do not mind if the collectibles are hidden and do not show up on the map, but they should at least be easy to spot if that is the case. Despite this issue I really did appreciate how many things there were to collect if the player chooses to do so.

I did not expect much when I first started this game, but it certainly did surprise me with the first couple of chapters in terms of the strength of the gameplay and the impact of the story. If these aspects were carried out through the rest of the game it would have been a phenomenal game, but it does fall flat in the middle, has too much filler, and it has some smaller gameplay issues. For these reasons I give Wolfenstein: The New Order a 6/10. It was extremely fun, engaging, and emotional for a couple of chapters; I just wish that the entire game was like that.