Chicory: A Colorful Tale (2021)

I was shocked by how much I enjoyed Chicory: A Colorful Tale. I expected to like the game, but I often find “relaxing” games to grow boring rather quickly. I find that I need a level of tension and challenge to keep things interesting. Yet Chicory: A Colorful Tale is an enthralling adventure game with almost no action. The gameplay is an addicting mix of coloring book and adventuring which is supplemented by a deeply emotional story and a phenomenal soundtrack. 

Chicory: A Colorful Tale is set in a cutesy world of talking animals where everything has food-themed names. This world places great importance on art and creativity, as a magical paintbrush has been passed down through generations. This paintbrush is what gives the world its color, and each new wielder puts their own artistic spin on the world. Suddenly, all of the world’s color disappears along with the current wielder. The player takes the brush and sets to paint everything back in. You travel through towns and varied environments, painting as you go and conversing with all the quirky characters.

What begins as a charming adventure with cute characters and storybook art quickly establishes itself as a much more mature tale. I always appreciate when a game tackles mental health topics in an intelligent manner. Chicory: A Colorful Tale is a game about self-doubt, imposter syndrome, depression, and isolation. The drive to create can lead to perfectionism and overly-harsh self-criticism that spirals into deep insecurity. The characters in the game battle these inner demons, but there’s no magic fix. The story is deeply emotional and its core themes will resonate with many players.

The main hook that sets Chicory: A Colorful Tale apart from other top-down adventure games is the painting mechanic. Along with controlling the main character, you also control the paintbrush that they wield. You use it to fill in color on landscapes, buildings, people, or whatever you want. You can acquire alternative brush styles that let you use it like a paint bucket or to plaster patterns as you go. There’s something so satisfying about filling in each area and leaving a paint trail wherever you go. Revisited areas have a distinct visual indicator of what you did there based on where you left trails of color.

Chicory: A Colorful Tale is absolutely full of things to do. Aside from the main story there’s a good number of side quests and collectibles to find. You can find clothes to show-off your own personal sense of style, or find lost kittens that can be given back to their parents in exchange for furniture sets, or collect litter that can be turned in for other goodies. The side quests are fun little distractions to engage further with the world and its characters. And the best part about all of this is that it never feels necessary. There’s no stats or upgrades, everything is purely aesthetic. You can choose to collect everything and complete the side quests, but there’s no obligation to, and I think that was a great choice for a game like this.

Painting the world is inherently relaxing. There’s no wrong way to do it, and you can mess around however you like. There’re no enemies to contend with and most of the game’s environmental puzzles are fairly simple. As you progress your paint becomes a tool. You can use it to make certain plants grow or create paths where you couldn’t go before. The game commits further to being a chill painting adventure as there are a ton of phone booths to use that can give you hints of where to go and what to do at any given point in the game. It’s clear that the creators of Chicory: A Colorful Tale did not want players to get stuck or frustrated, and this is evident by the lack of combat.

As previously mentioned, there are no enemies in the game to contend with. But there are a handful of boss fights that heighten the tension of the game exponentially. At the end of each chapter, you’ll enter a pitch-black room inhabited by an unholy monstrosity. The juxtaposition between these sections and the rest of the game is fantastic. The sheer panic as you run around and dodge projectiles plays so well into the game’s structure and themes. But even if the fights feel intense, they are very forgiving. You can’t really die, only lose a tiny bit of progress on the current phase. And there are options that you can enable to become invincible if these fights are too difficult. I think this was a good choice as these difficulty spikes might be off putting to players who were looking for a more chill game. I loved the adrenaline rush of these fights, and a huge component of that is the music.

Most of the game has a nice mix of relaxing instrumental music. Tracks are calming compositions of flutes, pianos, and violins. But as you enter the boss chamber, the soundtrack morphs into an electronic chaos as synths and fast-paced drums dominate the tracks. The music throughout Chicory: A Colorful Tale is stellar and varied, I’ve already added some of the songs to my playlists. Lena Raine has done a wonderful job capturing the motifs of the game and applying them through music. I believe that she is one of modern gaming’s best composers, and I hope she becomes as prolific as the all-time greats. I may start playing games based on the inclusion of her music alone.

Chicory: A Colorful Tale is a perfect blend of elements to create a one-of-a-kind cozy experience. It’s a giant coloring book filled with adventure and charming characters. The story is cute and heartwarming, but its mental health themes are very real and will be relatable for much of the game’s audience. While the game’s slower pace and lack of action may not appeal to some, I had a great time restoring color to the world. It is for these reasons that I give Chicory: A Colorful Tale a 9/10. Look no further if you have been wanting a cozy adventure, Chicory: A Colorful Tale is the perfect game to relax with.

Pikmin 2 (2004)

Pikmin 2 is the perfect example of an excellent game that torpedoes itself with an abundance of repetitive and poor-quality content. Despite making plenty of improvements over its predecessor, the majority of Pikmin 2 is spent engaging with its worst content: caves. I wanted to love this game as much as I loved the original Pikmin, and truthfully it surpasses the original game in many ways. But unfortunately 75% of the game is at best dull, and at worst frustrating.

To start with the positive, Pikmin 2 delivers more content than its predecessor. There’s more Pikmin varieties, there’s more enemies, there’s more treasures, there’s more hazards, and there’s even an additional playable character. This is all fantastic. I liked having two captains to control as it allows for more multitasking, which is a core component of the Pikmin series. One captain can oversee a group of Pikmin knocking down a wall, while the other captain can command the Pikmin to attack enemies and replenish their numbers.

The two new Pikmin varieties both are unique and integral to your success. Purple Pikmin are heavy but slow. They can carry 10x the weight of normal Pikmin, and they are incredibly effective in combat. They deal bonus damage and stun enemies upon landing from a throw. White Pikmin are faster than normal Pikmin, are immune to poison, can find treasures underground, and deal massive poison damage to an enemy that attempts to eat them. Both of these varieties are powerful, but are cleverly balanced by their rarity.

Both purple and white Pikmin do not have their own motherships, and as such you cannot use the normal chips and enemy corpses to spawn more of them. Instead, you come across colored flowers that you have to sacrifice other Pikmin into five at a time. This heavily limits how many of these special Pikmin that you will have. While the purple Pikmin in particular are incredibly powerful in combat, I felt nervous bringing large quantities around because losing just a handful of them could be catastrophic. I think this was a great way to balance these new varieties. Having powerful Pikmin at your disposal is very fun, but limiting their quantity makes them risky to use.

Another welcome addition is the inclusion of sprays. You can spend time having Pikmin collect berries that will be refined into two varieties of sprays: bitter and spicy. The spicy spray speeds up your Pikmin and increases their attack power. The bitter spray turns enemies to stone briefly. I enjoyed how these provided some additional decisions to make during combat. You could use them to make encounters much easier, but you had a limited quantity of them unless you spent a ton of time farming them. I saved them for dire situations or tricky boss fights, and I appreciated their inclusion.

When I played the original Pikmin my biggest issue with the game was the poor AI. I haven’t done any sort of extensive testing, but I definitely feel like this was improved in Pikmin 2. They seem to not get stuck on random bits of geometry as often. They don’t get distracted by grass as much. They are quicker to pluck and faster to respond to the whistle. I still had some occasional woes when trying to dismiss Pikmin into groups, but overall, I appreciated how much more responsive they were overall.

While I didn’t spend a ton of time reading the entries, I loved the Piklopedia. This journal has fun descriptions of both the enemies and the treasures that you collect. These have a lot of personality and charm. They’re funny and a great addition for people who want to delve more into the world of Pikmin.

The gameplay loop of Pikmin 2 is almost identical to the original. Instead of crash landing on Earth, you voluntarily journey there to collect treasure to alleviate your company’s debt. You command your troop of Pikmin to knock down barriers, fight enemies, and collect goodies. A major difference however is that Pikmin 2 lacks a maximum number of days. In the first game, you had 30 days to collect 30 parts. With each day being roughly 15 minutes, there was a sense of urgency to get something done with every second. 

The looming time limit in Pikmin was something that many players felt anxious about, but I think it was a critical element of gameplay. It encouraged the player to maximize their time and take risks. You could leave a troop of Pikmin to knock down walls or carry things back to base, but there was always the worry that they could be intercepted by hungry enemies. And even if you had a couple minutes left in the day, there was always the question of what you could do with your time. Whether it be replenishing your Pikmin supply, feeding them nectar to upgrade them, or knocking down barriers to make the next day easier, I wanted to maximize my time. 

Thirty days was plenty generous unless you were wasting a ton of time, but the looming threat of failure was crucial. This isn’t present in Pikmin 2 at all, as you have an unlimited number of days to accomplish your goals. There’s no rush to do anything, you can play incredibly safe and not have to do any risky multitasking. You don’t have to squeeze every second out of the day, as you can just go to the next day with no downside as the timer approaches night. The lack of urgency was definitely unfortunate, but it was a minor issue when compared to the biggest flaw of Pikmin 2: caves.

Before I begin ranting about caves, I want to make it clear that I genuinely think that they are a good idea. They act as dungeons in which you progress floor by floor with no opportunity to replenish your Pikmin. They have a heavy emphasis on combat, each floor is packed with enemies and there is usually a boss at the end. Defeating the boss usually yields a special treasure with a unique upgrade such as immunity to electricity. I think this is all great. Entering a cave is anxiety inducing as you don’t know what lies ahead, and losing Pikmin can devastate your odds of success. This is all great, but the caves have a few issues: bland aesthetics, monotonous gameplay, and frustrating level design.

There are 14 caves in the game, and even shortly after beating the game I can only really remember 4 of them. And 2 of those I only remember because they were infuriating. A big reason why caves aren’t memorable is because they are just plain ugly and bland. Many of them are just big dirt pits with little to distinguish themselves. Moreover, the levels are semi-randomly generated, so they can’t make up for forgettable visuals with interesting level design.

 Most of the caves lack anything to make them unique. Just floor after floor of basic battles with no end in sight. And many of these caves can take upwards of an hour to complete. It grows old quickly. There are a couple of good examples in Pikmin 2 of what caves could be: Submerged Castle and Glutton’s Kitchen. 

Submerged Castle is easily the best in the game. You have to work quickly to recover treasures in this water-filled cave, because a nightmarish blob appears after 5 minutes on each floor to steamroll your Pikmin. This is a unique mechanic that encourages you to move quickly, but even if you aren’t fast enough there are strategically placed pipes that allow you to hide from the monster. Glutton’s Kitchen is nearly as horrifying, but it is memorable nonetheless. It takes place in a child’s playset of building blocks and a wooden train set. Fat breadbugs try to steal your treasures and drag them back to their dens. The combination of being visually distinct and having a central mechanic is vital in making caves more interesting. It’s a shame that none of the other caves live up to the quality of these two.

I have to mention that my entire experience was left on sour note because of the final caves in the game. They were memorable for the wrong reasons. They felt completely unfair. Every floor was a cramped nightmare filled with dangerous enemies. Not to mention traps such as bombs, rocks, and enemies falling from the sky. I don’t mind a bit of elevated difficulty, but the difficulty spike here is egregious. There are so many ways that you could instantly lose half your army deep into a dungeon. The saving grace here is that you can hard reset to the beginning of the floor.

I don’t think relying on frequently resetting your system is a great mechanic, but it feels necessary here. There are so many catastrophic things that can happen, and it often feels unavoidable. Due to the randomized nature of enemy placement, some configurations are far, far harder than others. The final dungeon, Dream Den, has many floors that feel like the developers just threw every enemy they could into cramped rooms. These aren’t cleverly designed challenges, they are meat grinders that require unsatisfying tactics to succeed.

Like I previously mentioned, you can always just reset and hope for a better outcome or easier layout, but there are some ways that you can combat the tougher encounters. You can play super carefully, going through each floor with no Pikmin at first, triggering every trap. Then abuse the enemy AI to bait them out one at a time. This is time consuming and feels a little cheap as you are just bypassing every obstacle. You could also use purple Pikmin and bitter spray as they are surefire methods to simplify tougher fights, but these are very limited resources unless you spend time farming them. Truthfully, some of the floors in the later dungeons feel like absolutely no thought went into them and they weren’t even playtested.

In my perfect world, Pikmin 2 would have cut down the number of caves dramatically. Instead of 14 repetitive caves, having 5 unique and intentionally designed caves would be a massive improvement. The caves would have their own aesthetic themes and unique mechanics to make them interesting. Each floor would be designed with care and there would be thought into the layout and enemy placements. I understand that randomization can increase replayability, but in the main campaign I wanted purposefully designed dungeons. Randomized dungeons could’ve been a great challenge mode.

I was let down by the number of poor-quality caves in Pikmin 2. Even without a day limit to encourage efficiency, I still was having a great time up until I started delving into the caves. The vast majority of the game is spent in the caves, and it’s by far the worst aspect of the game. More isn’t always better, and Pikmin 2 would’ve been greatly improved by cutting the number of caves in half and spending more time carefully designing them. It really is a shame because Pikmin 2 gets so much right, it just sabotages itself with an abundance of uninteresting and occasionally aggravating content.